BY OLIVIA CLEMENT | PLAYBILL
POSTED FEB 10, 2020

Review: Ben Folds, Sarah Norris, and Emma Sandall Team Up for Stage Adaptation of Sheila Heti’s Motherhood

Music direction will be by Beth Meyers.

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Watch: Beth Meyers and Daisy Press discuss Steve Reich’s Drumming with Josh Quillen of Sō Percussion
posted: October, 2020

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by Daniel Stephen Johnson | New York Public Radio WQXR
Posted Jan 2, 2017

Review: Janus Trio’s Book of Memory

Finally! The chamber group known as Janus is responsible for one of 2010's most delightful releases in any genre, I Am Not. Now the flute/viola/harp trio (Amanda Baker, Beth Meyers, and Nuiko Wadden, respectively) has emerged with a second full-length, Book of Memory, and it is a charmer.

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By Hank Shteamer | TimeOut New York
Posted Jan 29, 2009

Review: QQQ

One potential hazard of fusing two musical styles is that you can end up with a fence-sitting hybrid—a compromise that satisfies neither camp. QQQ avoids this trap on its debut, Unpacking the Trailer..., a peculiar yet glowingly warm effort, which combines chamber-music intricacy with folksy twang. The disc finds the all-instrumental local quartet—violist Beth Meyers, guitarist Monica Mugan, percussionist Jason Treuting and fiddler Dan Trueman—offsetting an occasionally monotonous timbral palette with inventive and heartfelt compositions.

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Watch: Beth Meyers speaks about her time at a Sun Hill Farm
posted: August, 2019

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By Ronni Reich | The Star-Ledger
nj.com
Posted Dec 29, 2010

It was a year of surprises in classical world

i am not; Janus Trio (New Amsterdam)

An exquisite debut CD, "i am not" is full of lush, intricate new music that is easily accessible but stands up well to repeat listening. The trio features Amanda Baker on flutes, Beth Meyers on viola and banjo and Nuiko Wadden on harp; each also sings and plays percussion. The well-curated slate of composers includes Caleb Burhans, Angelica Negron and Jason Treuting of So Percussion.

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Damsel

"The surface of a Damsel song may be sweet and sonorous, but what's going on under the surface is more often than not spiked and steely. That's just one reason I love this CD."

- Paul Muldoon

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